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The end of Xia – the contemporary biopolitics in Jia Zhangke’s A Touch of Sin

Within the four narratives consisted in Jia Zhangke’s latest film A Touch of Sin, the heroes or the heroines eventually put an end to the social injustice by the act of killing. These acts of killing, through Jia’s narrative, reveal that if the contemporary China can not be contained within the question of law, then to confront this situation is perhaps by the gesture of “Xia”(俠) that is outside the law. The first three characters within the film, the Shanxi coal miner with the shotgun covered by (...)

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A propos de "Les usages politiques du corps". Université d’été du 25 au 30 aout 2014 en Albanie.
New ethnic identifications are not created out of nowhere nor are they natural appearances of historic roots but usually follow a certain strategy which fulfills certain needs. One of the needs can be the avoidance of racist stereotypes. This is the case with Egyptians and Ashkali who try to (...)
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