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Within the four narratives consisted in Jia Zhangke’s latest film A Touch of Sin, the heroes or the heroines eventually put an end to the social injustice by the act of killing. These acts of killing, through Jia’s narrative, reveal that if the contemporary China can not be contained within the question of law, then to confront this situation is perhaps by the gesture of “Xia”(俠) that is outside the law. The first three characters within the film, the Shanxi coal miner with the shotgun covered by (...)
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