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Taiwanese contemporary aboriginal art, as an intermediary between traditional arts of small-scale community and globalized western contemporary art, features heterogeneity and pluralism. With Meyer Schapiro’s "Style, artiste, société" as the theoretical basis, this thesis thinks west and non-western arts about framed and frameless fields, smooth and uneven carriers, perspective centers and non-perspective, the viewer’s visual culture to discuss the different cultures behind carriers and (...)
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